Showing posts with label graphic novel. Show all posts
Showing posts with label graphic novel. Show all posts

Monday, February 27, 2017

Whatchoo reading?

Hello, bookworms and moths! I can’t believe February is almost over. Though I don’t think I’ll be going full-blown review on any of the books I’ve been reading in January and February, I thought I’d share a few thoughts about them, the ones I’m in the middle of right now, and a couple I’m looking forward to verrrrrry soon. Allons-y!

Things I’ve Been Reading

  • Gemina, by Jay Kristoff and Amie Kaufman. This second entry in the Illuminae Files series did not disappoint. In fact, I think I liked this one even more than the first one! I love the way the format of these books continues to push boundaries—it often reminds me of Guillaume Apollinaire's calligrammes (thanks, college French!). These books are action-packed like the best summer movies, but with characterization and a sort of overarching mythology that those summer tentpoles often lack. Romance is a component thread of these books, but it is definitely secondary to the rollicking plot. For these books, I find that that is the perfect balance. There was also a perfect balance of plot twists that I figured out, and ones that I didn't see coming—enough to make you feel smart, but still have the fun of being surprised. Can't wait for book three.
  • P.S. I Like You, by Kasie West. I got this book for S for Christmas because I thought it sounded cute, and then decided I had probably better read it myself to be sure. And how often do you a find a YA that takes place in Phoenix?? After a rough, choppy start (think oddly disjointed sentence flow, stilted dialogue, me thinking, "Grrr, I was an Arizona high schooler and my experience was nothing like this!"), some sort of unseen transition occurred and the dialogue became funny, the characters became real, the romance gave me butterflies, and I was utterly charmed. Enough so that I passed that late night reading point of no return and had to finish the book before finally going to bed around 2 a.m. A quick, cute, fun read! I’ll definitely be looking for more Kasie West novels.
  • Ever the Hunted, by Erin Summerill. Though this book has an absolutely stunning cover design (and I am a sucker for cover design!), my overall feeling about the story inside the covers was a resounding “meh.” I was tentatively interested and engaged in the beginning (world-building concerns were primarily what kept me from being fully interested and engaged), and then halfway through I got bored. The romance, which had an interesting hook and tension to start with, was resolved too quickly for me. Though the plot kept a tidy pace, it still somehow managed to feel mired and slow to me. The plot development on the last page was intriguing, but probably not enough to motivate me to pick up the next book when it comes out.
  • Snow White: A Graphic Novel, by Matt Phelan. I loved the aesthetic and storytelling of this graphic novel. Easy to read in one sitting, it situates the traditional Snow White story in New York in the 1920s and the Great Depression. Samantha White (her mother calls her “Snow”) lives in NYC, and after her mother dies when she is young, her businessman father remarries a star performer of the Follies—enter evil stepmother! You know how the story goes from there. I love the twists that evoke the original fairytale while adjusting it to fit in the new time period. A ticker tape stands in for the magic mirror, seven street urchins remind the reader of dwarves in a forest, and a detective investigating the case of a mysteriously sleeping girl found in the display window of a department store makes for a modern prince charming. There are few words in the graphic novel, but the expressive art clearly tells the tale.
  • The Inquisitor’s Tale, by Adam Gidwitz. This Canterbury Tales-esque story follows three unique young people and one very special dog in France in the 1240s—Jeanne, a peasant girl on the run from the authorities who experiences prophetic visions; Jacob, a Jewish boy with mysterious healing powers who has escaped the hate-fueled burning of his village; William, an unusual oblate endowed with colossal strength; and Gwenforte, Jeanne’s beloved greyhound, long dead and yet somehow returned to her. Though the storytelling is fast-paced, it somehow still manages to be a slow burner, with a powerful payoff. Also, it's really funny. I mean, there’s a farting dragon! The humor is definitely a hallmark of the story, but it also depicts people in all their complexity, and its ruminations on prejudice and tolerance are especially important. It could also serve as a master class on how to use modern speech in a historical (or fantasy) setting without it sounding jarring, inappropriate, or false. Highly recommended!


Things I’m Currently Reading

  • A Short History of Nearly Everything, by Bill Bryson. As I continue my incursions into the Bill Bryson audiobook realm, I recently started this one, wherein BB takes on science, the universe, and everything! Completely fascinating, and makes me want to learn more about all the topics he covers. His wit and his knack for finding and relating bizarre footnotes to history delight, as ever.
  • The Girl Who Drank the Moon, by Kelly Barnhill. This one is hitting all the right fairytale buttons for me. I adore Fyrian the Perfectly Tiny Dragon (he’s prone to crying), and I’m not even 100 pages in. But, I had to take a break from this one so I could starting reading…
  • A Conjuring of Light, by V.E. Schwab. AHHHHHHHAGHAIOHGALIFBHALKHGHLGIagahgipuahg’gauug GO AWAY I’M READING


Things I’m Looking Forward to Reading

  • Rat Queens #1, by Kurtis Wiebe and Owen Gieni. Rat Queens is back with Image Comics and a new artist (astute blog readers and comics fans might recognize his name from Manifest Destiny)! It looks like they’ll be doing a kind of reboot of the series, which honestly I’m down with since, storywise, the last issues before all the artist kerfuffle and hiatus went down were kind of going in a weird direction. I’m hoping it’s fun and awesome and helps me forget all the strangeness that went on with the artists and story. Out on March 1st, 2017.
  • The Collapsing Empire, by John Scalzi. You can click on the picture to read the blurb—it sounds amazing, and has been getting some great reviews. I don’t think I’ve read a Scalzi novel I didn’t like, and this one sounds especially cool. Can’t wait to get my hands on it! Too much to hope he’ll be promoting it at Phoenix Comicon this year? Out on March 21st, 2017.


Well, that’s it from me this month. What’s been on your TBR? What are you looking forward to reading next? Let us know in the comments!

**All books purchased or borrowed from the library. An e-ARC of Ever the Hunted was received from the publisher via NetGalley, but this short review is based on my reading of a finished copy. As ever, much as we are grateful for review copies, our reviews are uninfluenced by the source of said copies, or by anyone else, for that matter.

Monday, January 30, 2017

Some of My Favorites From 2016

2017 may be well and truly underway by now, but since it’s been a while since I last posted, I thought I’d take a moment to look back on some of my favorite reads from last year.

New Favorite Series: The Amory Ames books, by Ashley Weaver
These books are so much fun. Amory Ames, a well-to-do uppercrust-y British lady in the ‘20s-’30s, solves murder mysteries and contends with her flirtatious and flighty husband, Milo. Though by the third book the romantic tension that came from her estrangement from her husband has been mostly resolved, the mysteries are interesting enough and her and Milo’s relationship sweet enough that I stuck around. Three books out so far, and I can’t wait for more! Thanks to Susan for turning me on to this series!

Best Non-Fiction Book: All the Single Ladies: Unmarried Women and the Rise of an Independent Nation, by Rebecca Traister
Everyone should read this book, regardless of their sex, but especially, DEFINITELY if you are female. It doesn’t matter whether you are single or attached, gay or straight (this is starting to ring a bell—I feel like I’ve written this for the blog before), rich or poor—it’s a book about feminism and what it’s like to be a woman in the world, what it’s BEEN like to be a woman in the world since time immemorial. It seems to go without saying in our current political climate that there are those who feel threatened by the titular “rise of an independent nation” of females, and this book will empower you to fight back.

Best Graphic Novels of the Year: Too Many to List, Nearly
I read a *lot* of graphic novels last year, and loved most of them. I’ll try to limit myself to one line about each that I’m featuring here.
• Lumberjanes: Female friendship and the fun adventures of summer camp, with a delightful dose of the supernatural and humor added to the mix.
• Bitch Planet: Just what the doctor ordered for reading on 11/09/2016. That was probably the only day in my life when I have seriously (and I mean seriously) considered getting a tattoo, and it was going to say “non-compliant.”
• Paper Girls: More female friendship + supernatural, but with more of a sci-fi bent and some good old fashioned ‘80s fun. It’s kooky! It’s crazy! I loved it! (Also, it seems to live in the same ballpark of my brain as Stranger Things, for what it’s worth.)
• Monstress: Scary/sad/icky-at-times ruminations on war in a fantasy world, but with truly stunning art and an ever-deepening world that continues to draw me in. It’s kinda like a blend of manga and American comic traditions, and the result is completely unique.
• Rat Queens: I just discovered this series in 2016, and I really, really love it. The female friendships (which seems to be a theme for my 2016 graphic novel readings) are hilariously real, and the good-natured pokes at the fantasy genre made me laugh out loud while reading. I know there has been some weirdness regarding the continuation of the series, but I really hope it does continue.

Best Series Ender: Morning Star, by Pierce Brown
The Red Rising series has been one of my absolute favorites of recent years, and though this final entry may not have eclipsed Golden Son as my favorite of the series, it was very, very good. There’s one thing that came up at the end that I’m still ambivalent about that I’m not going to talk about here because spoilers, but it was a sweeping, emotional end to a fantastic trilogy. I’m looking forward to seeing what the author does with this world next.

Best Soul-Nourishing Heart-Book: Uprooted, by Naomi Novik
Starting this book felt like sinking into a feather bed. I felt the same way reading it that I did reading some of my favorite books from my childhood—Ella Enchanted, especially—but in a more mature way, if that makes sense. I’m sure it’s already been said in the jacket blurbs for the book, but it is fairy tale for grown-ups, and perfect. I can’t think of one thing I would change about it. The engagement I felt while reading it, the intense need to just not.stop.reading, and the happiness I felt after finishing it—I just haven’t felt that way about a book in a long while.

Best New-to-Me Series: The Shades of Magic Series, by V.E. Schwab
If Uprooted nourished the historical fairytale side of my reading personality, The Shades of Magic books nourish the slightly darker, sharper facet of said personality. These books are witty, and wise, and harrowing, and FUN. I love them. A Darker Shade of Magic and Uprooted are the two books I bought for everyone for Christmas, and everyone knows that when I get militantly insistent about reading a certain book, I must really, REALLY adore it.

Best Book That Nourished Yet Another Facet of My Literary Personality: The Singular and Extraordinary Tale of Mirror & Goliath, by Ishbelle Bee
So, if I had to pick a couple authors to typify these various sides of my literary personality, one might be the Gail Carson Levine/Megan Whalen Turner/Elizabeth C. Bunce side (the side Uprooted appeals to). Another might be the Holly Black/Neil Gaiman side (where The Shades of Magic gets mentally filed for me). And yet another, the present one, would be the Catherynne Valente side. I love books that are magical and poetic and feel like they speak directly to me, touch my heart, in the way that art can. Mirror & Goliath has that sort of sensory language and intense imagery, and at times feels almost stream-of-consciousness (though the storytelling is still quite clear!), similar to some of my favorite Cat Valente stories. It is a beautiful book, and I loved it.

So those were some of my favorites from last year, and here, very quickly, is a preview of the books I’m most looking forward to in 2017!



What were some of your favorite reads of 2016? What are you looking forward to reading in the year to come? Hit up the comments and let us know!

**Where did the books come from? Glad you asked! Purchased: Rat Queens, Morning Star, A Darker Shade of Magic (well, library, then purchased a copy), and A Gathering of Shadows. Library: The Amory Ames books, All the Single Ladies, Bitch Planet, and Paper Girls. ARC from publisher: Lumberjanes (physical copy) and Monstress (digital copy). ARC from publisher, then either purchased or checked out from library: Uprooted (ARC, then purchased) and Mirror & Goliath (ARC, then libraried). As ever, much as we are grateful for review copies, our reviews are uninfluenced by the source of said copies, or by anyone else, for that matter.

Tuesday, July 12, 2016

Comics Review: Monstress

Title: Monstress (Issues #1-6)
Author: Marjorie Liu & Sana Takeda
Publisher: Image Comics
Publication Date: Trade paperback collecting issues #1-6 to be released on July 19th, 2016
Read: July 2016
Where It Came From: Digital ARCs from publisher via NetGalley
Genre: Fantasy-sci-fi-horror-graphic-novel?
Rating: 4 Mask Pieces

Hey, remember when I was talking about how much I love Image Comics? Here’s another one from them! I saw issues of Monstress on the counter at my Friendly Local Comic Shop a couple months ago and was really drawn to the art, but, as is usual for me, I decided to wait for the trade paperback to come out. However! When issues #1-6 recently came up on NetGalley in anticipation of said trade paperback releasing later this month, I couldn’t resist the chance to catch up on what I’ve been missing with this title.

Monstress is the story of Maika, an Arcanic (a.k.a. supernatural hybrid) teenage girl. She lives in a world still rife with conflict between Arcanics and humans after a great war between the two. Arcanics are being captured and sold as slaves to humans, and a powerful religious organization of human women called the Cumaea performs experiments on Arcanics and murders them to harvest a magical substance called lilium from their bones. Maika and her best friend Tuya are just trying to settle down and find normalcy again after surviving the war, but Maika has a secret. There is a monster living inside of her—literally—and it hungers for blood and violence. As Maika’s control over it weakens, she travels to the city of Zamora, located at the edge between the territory of the Federation of Man and the land of the Arcanics, to look for answers in perhaps the most dangerous place possible.

And that’s just the beginning of the first issue! A lot of ground is covered, story-wise, and it took me a few issues to get a good mental handle on the world and the moving pieces of the plot. However, the richness of the world-building really is beautiful as it unfolds, and to call it simply Asian-inspired seems to somehow be an inadequate description. It is a fantasy world, to be sure, but the nods to and nuances of a diversity of Asian cultures from our world are incorporated seamlessly, and come together with all of the imaginative fantasy elements to form something new and singular. I believe in the letters section of one of the issues, creator Liu talks about how she wanted the comic to reflect the hybrid nature of Asia itself, and I think this was accomplished masterfully.

The comic also does a masterful job of demonstrating the horrors and atrocities of war and its aftermath, which only takes on even greater depth and meaning when you learn that some of the inspiration for this story comes from the experiences of the author’s grandparents. And I will be honest—the violence and horror in that first issue (murder of children, implied cannibalism, references to rape) made me feel so sick to my stomach that I wasn’t sure I wanted to continue reading. But I did, and I’m glad I did—violence is still a part of the comic, as you would expect of a story concerned with war, but in later issues I didn’t find it was quite as much at the forefront of the storytelling as it was in that first issue. For me, the story really hit its stride in issues four and on, when other places and characters from the fringes of the world as we know it so far start to become tied in to Maika’s story, and some questions begin to be answered to a degree (and of course new ones come up). And that ending to issue six was a killer!

Let’s talk about Sana Takeda’s art for a moment, because it is absolutely stunning—beautiful, with a sort of Art Deco, steampunk vibe, and manga-esque touches here and there that add to that hybrid-Asia atmosphere that this comic does so well. For all the violent, scary things that her art depicts in this story, there is also room for occasional hits of the super-cute (Kippa the kitsune-like fox child hugging her own big fluffy tail makes me squee every time), as well as really just staggering splendor and detail (Corvin D’Oro, anyone?). Completely frame-worthy.

Overall, though the initial level of violence and gore made me squeamish and I was a bit confused about the history and mythology of the setting, as I continued reading, the decrease in depicted violence and further clarification about murky aspects of Maika’s world (the quick lessons from the cat Professor Tam Tam at the end of each issue were helpful, too) helped me to become invested in the story, and now I can’t wait to find out what happens next (because that issue six, you guys!!). And though I am not one to usually buy single issues of comics, knowing that there are fun extras like letters and additional art might convert me, at least in the case of Monstress!

*As ever, much as we are grateful for the copies, our review is uninfluenced by their source.

Saturday, July 2, 2016

Image Comics Round-Up: Limbo, WicDiv, Paper Girls, and More!

I’ve tried some superhero graphic novels in my day, but I can never seem to get into much in the DC/Marvel worlds (Ms. Marvel being the exception). Enter Image Comics! Pretty much all of the graphic novels I read on a regular basis come from this publisher. I’ve been trying a lot of different series of theirs in recent months, and thought I’d do a little round-up post of what I’ve thought of my readings so far.

Limbo is a backwater swamp-noir, with voodoo in its veins and a touch of Lovecraft woven into the mix, with hints of the ‘80s and an analog vibe to round out the palate. Sound eclectic? It is, but the moving parts all come together smoothly to spin a story with some deeply creepy moments, a mystery that starts out simple and gains momentum and complexity, and the overall puzzle of our amnesiac P.I.’s origins and the world he finds himself living in. On a few occasions there was some convoluted philosophical-esque stuff that I wanted to tl;dr, and some of the reveals about P.I. Clay were dark enough to be almost depressing, but overall I enjoyed it. This trade encompasses a complete story arc, but enough mysteries remain that I might seek out the next volume to find out what’s in store for Dedande and its denizens. Also, the included extras were really, really awesome.

I.D. reads like the graphic novel equivalent of a short story. It fits the sci-fi category in terms of both the medical main concept of the story (brain transplants) and the setting (we get hints of non-Earth colonies and terraforming). Still, the main concerns of the story seem to be philosophical and psychological, as three previously-unknown-to-each-other characters consider having their brains transplanted to new bodies. What would motivate a person to take such drastic action? How would personal identity fare in such a situation? The art is absolutely beautiful, and the storytelling has an ethereal, vague quality, creating the necessary shape of the story while leaving much of the surrounding information amorphous, conveying details that create character depth in few pages and hint at further depth, while dancing airily around the questions those hints and nuances tease out of the reader. It’s a story that I can respect, but not the kind of thing I’d go back and re-read.

The Wicked + The Divine is pure delight for me. In an alternate modern day, every ninety or so years twelve gods are incarnated as humans, with a 2-year expiration date on life. For those two years after awakening, they are music stars with fanatic followers, zealot-y anti-fans, and skeptics as well. Are these people really gods in the flesh? Are they just crazy, deluded young people out for fame and fortune? A young woman from the “fanatic follower” category finds herself embroiled in the world of the twelve and their caretaker/advisor, and begins to see that there’s a lot more going on under the surface of the phenomenon. The art is quite stunning, with a fresh, clean-cut style, and a bit of neon-hip edge, unlike anything I’ve seen before. Some shocking moments and reveals keep me plowing through the trades.

Paper Girls comes from Brian K. Vaughan, the mind behind the immensely popular Saga (which it perhaps inevitably draws comparisons to). The short pitch: In the late ‘80s, four preteen newspaper delivery girls out running their routes stumble upon some seriously weird shit. This one was super fun for me because I went into it with no idea that it was going to veer into sci-fi at all. The whole time I was like, “What the hell is happening?!”—and I absolutely loved it. It’s strange and wonderful and weird and crazy and completely its own thing in the way that Saga is, but strangewonderfulweirdcrazy in its own brand new ways, though you can see how the same mind dreamt them up. Awesome art, with a neon suburban ‘80s vibe, and plenty of mystery to keep me looking forward to future volumes.

Shutter is another one that has drawn comparisons to Saga, and unfairly so, in my opinion. (The only time I thought about Saga while reading this was when the main character’s talking, helpful Felix the Cat clock was introduced. I remember thinking, “Hey, another comic I love with a cat that talks! Cool!” And that was it. The word Saga didn’t even come into my brain.) Said main character is Kate Kristopher, who lives in a wild, eclectic version of modern day Earth. As the daughter of a famous explorer, she spent her youth and teen years traveling the world with her father, until a tragedy caused her early retirement. Now, however, sinister and mysterious forces hunting her down have forced her out of retirement and back into the world of adventuring and hidden family secrets. The art didn’t do as much for me as in other comics like Paper Girls and The Wicked + The Divine, but I didn’t mind it. Beware of occasional and unsettling intrusions of gore and violence, though.

What are your latest graphic novel discoveries and obsessions? Let us know in the comments!

Limbo, by Dan Watters & Caspar Wijngaard
Published by Image Comics (June 2016)
Read in July 2016; e-ARC from NetGalley
3.5 Stars

I.D., by Emma Ríos
Published by Image Comics (June 2016)
Read in July 2016; e-ARC from NetGalley
3 Stars

The Wicked + The Divine, Vol. 1: The Faust Act, by Kieron Gillen, Jamie McKelvie, Matt Wilson, & Clayton Cowles
Published by Image Comics (2014)
Read in May 2016; Paper copy checked out from library
4 Stars

The Wicked + The Divine, Vol. 2: Fandemonium, by Kieron Gillen, Jamie McKelvie, Matt Wilson, & Clayton Cowles
Published by Image Comics (2015)
Read in June 2016; Paper copy checked out from library
4 Stars

Paper Girls, by Brian K. Vaughan, Cliff Chiang, & Matthew Wilson
Published by Image Comics (April 2016)
Read in May 2016; Paper copy checked out from library
5 Stars

Shutter, Vol. 1: Wanderlost, by Joe Keatinge, Leila del Duca, & Owen Gieni
Published by Image Comics (2014)
Read in June 2016; Paper copy checked out from library
4 Stars

*As ever, much as we are grateful for review copies, our reviews are uninfluenced by their source.

Sunday, April 3, 2016

Recent Favorites: A Darker Shade of Magic & Rat Queens

Do you ever find that your luck with reading choices comes in streaks? Sometimes you’ll have a long string of less-than-awesome reads, and other times it’ll be one homerun after another? I’ve been having more of the homerun experience with a surprising number of the books I’ve read lately, and thought I’d share some of the ones that were especially fantastic.

This book is probably the best thing I’ve read so far this year. You know that feeling when you start a new book, and only a few paragraphs in you find yourself feeling like you’re sinking into a feather bed and the writing wraps around you, and you know, you just know that you are in for a damn good read? That deep certainty from just the first few sentences that the author is going to lead you through a wonderful story, wonderfully written, and your inner critic knows it’s okay to shut off? That doesn’t happen terribly often for me (my inner critic is particularly noisy), but that is exactly how I felt with this book. Just a few pages in, and I knew it was going to be a favorite.

Ah, but what is it about? Well. Kell is an Antari, a magic user from a place called Red London, with the rare ability to travel between parallel worlds. His home of Red London is a city where magic flourishes, and he travels with messages from its rulers to the rulers of the other Londons, such as White London (scary, violent magic London) and Grey London (boring, no-magic London, the London of our world during the Regency). There used to be a Black London, but…well. Not anymore. In addition to his cross-dimensional messenger duties, Kell also moonlights as a smuggler, illegally bringing artifacts from one London to another. Naturally, this smuggling (which he considers more or less benign) eventually gets him into trouble, with monarchy- and multiverse-shaking consequences, which he must deal with, with the help of a thief named Lila from Grey London…

The jacket blurb for this book is a rare one that actually accurately captures both the plot and the tone of the story it provides a preview for. Here ‘tis:

“Kell is one of the last Travelers—magicians with a rare, coveted ability to travel between parallel universes, connected by one magical city.

There's Grey London, dirty and boring, without any magic, and with one mad king—George III. Red London, where life and magic are revered—and where Kell was raised alongside Rhy Maresh, the roguish heir to a flourishing empire. White London—a place where people fight to control magic and the magic fights back, draining the city to its very bones. And once upon a time, there was Black London. But no one speaks of that now.

Officially, Kell is the Red Traveler, ambassador of the Maresh empire, carrying the monthly correspondences between the royals of each London. Unofficially, Kell is a smuggler, servicing people willing to pay for even the smallest glimpses of a world they'll never see. It's a defiant hobby with dangerous consequences, which Kell is now seeing firsthand.

Fleeing into Grey London, Kell runs into Delilah Bard, a cutpurse with lofty aspirations. She first robs him, then saves him from a deadly enemy, and finally forces Kell to spirit her to another world for a proper adventure.

Now perilous magic is afoot, and treachery lurks at every turn. To save all of the worlds, they'll first need to stay alive.”

A very unique, creative fantasy, with elements of darkness, a bit of swashbuckling attitude, well-drawn characters in a beautifully conceived world, and plenty of action and emotion. I could ask for nothing more from a book. It was the kind of book where I became visibly annoyed when people would interrupt me reading it, and I had to plot my reading cannily, lest I arrive at work too tired to function after an all-night reading bender. So much fun, and so good. READ IT.


Rat Queens has been on my radar for quite awhile, but, not willing to fork over cash for a graphic novel without previewing it first, I’ve had to wait for the library to catch up with my TBR list. Alas, the library still doesn’t have a physical copy of the book, but they do have the first volume available on their streaming service, Hoopla. And once I started reading that first book, I didn’t put it down (or, er, close out my browser window) until I was finished.

The story follows an all-female band of fantasy adventurers, but with some seriously (and hilariously) modern twists. De facto leader is Hannah, a rockabilly elf magic user; Violet is a dwarven fighter (and a hipster, because she shaved her beard before it became cool); Betty is a flower child, drug-experimenting smidgen (vaguely hobbit- or gnome-esque) thief; and Dee is an atheist cleric of a religion (cult?) that reads a little like a Lovecraft/voudou smash-up. I mean, an atheist cleric! That’s hilarious!! XD

The town where they live kind of hates them, because they get drunk and raucous and destructive when they’re not off fighting big monster-y problems. They have foul mouths, a loose interpretation of what is, strictly speaking, legal, and varied amorous pursuits. They get into fights with each other, and have secrets from each other, and love each other all the same. In short, they’re girls you’d probably want to hang out with.

The writers and illustrators subvert the tropes of the genre through a distinctly modern lens, to hilarious effect (I burst out laughing at Hannah’s arcane cell phone and the nagging from her parents), but not at the expense of the genre—it is clear that the people behind Rat Queens love fantasy-adventure, sword and sorcery stories, and honor that genre by pushing its boundaries. The second volume deepens the storylines begun in the first outing, and begins revealing some serious backstory, while not losing any of the humor that makes it such a delight.

So, while probably not for the faint of heart or those offended by the F word, I absolutely loved it. I can’t wait for the third volume to come out (later this month!). This is a series that I would actually consider buying each comic as it comes out, rather than waiting for the trade paperbacks.

Have you had any outstandingly good reads lately? Already read these, or plan on adding them to your TBR? Let us know in the comments!

A Darker Shade of Magic, by V.E. Schwab
Published by Tor Books (2015)
Read in March-April 2016; Hard copy from library

Rat Queens Volume 1: Sass & Sorcery, by Kurtis J. Wiebe & Roc Upchurch
Published by Image Comics (2014)
Read in February 2016; Digital streaming from library

Rat Queens Volume 2: The Far Reaching Tentacles of N’Rygoth, by Kurtis J. Wiebe & Roc Upchurch
Published by Image Comics (2015)
Read in February 2016; Bought it

Friday, March 6, 2015

Graphic Novelty: Through the Woods

Title: Through the Woods
Author: Emily Carroll
Publisher: Margaret K. McElderry Books
Publication Date: July 2014
Read: February 2015
Where It Came From: Library
Genre: Graphic-novel-horror
Rating: 4.5 Cold Hands

Let me just say: This. Was. AWESOME. I’d heard from various sources whose opinions I respect that this was an amazing and damn scary graphic novel with beautiful art, and I finally got around to checking it out from the library earlier this year. (To save money/space/irritation about having bought books that turned out to be shitty upon reading, I’m trying this new thing where I check a book out from the library instead of running out and buying it right away, and then afterwards deciding if I liked it enough to buy a copy for my personal library.) It sat in my library book tower until I went to renew it online one day and saw that—GASP!—someone else had placed a hold on it and I had to return it in two days. And that meant: Kick into high reading gear! So I curled up on a bright, sunny day-off afternoon to dive in.

The book consists of five short stories (they get increasingly longer as the book goes on), and a short intro and outro. They are seemingly unrelated, except for the common thread running through them, as hinted in the title—the woods are always involved, and strange things come from the woods. Each story is deliciously creepy…not horror in a gory, in-your-face way, but more insidiously unsettling. Spine-tingling, hair-on-the-back-of-your-neck-standing-up kind of scary. The closest comparison in tone I can make is to those Scary Stories to Tell in the Dark books that were probably the first experience many of us had with horror. The nerd in me absolutely loved the almost fairytale/folkloric slant to these stories—especially as related to the woods, that symbol of fear and the unknown from time immemorial. They’re stories that will probably leave you with questions. There are no easy answers or resolutions to be found here, which is absolutely fitting. The storytelling is deft, atmospheric—leaving you a little off-kilter, both anticipating and apprehensive of what will happen next. And the art! Beautiful. Graphic, bold, and seamlessly integrated with the text for an immersive story experience.

As I mentioned, I was reading this in the middle of the day, in broad daylight, with people home. As I made my way through the book, I thought the stories were creepy in that quiet, crawling, tingly creepy-pasta way, but I found myself thinking, “Well, perhaps I’d be as freaked out by them as everyone else if I was alone. Or it was night. Or something.” But then my dad suddenly appeared at my door to ask in his baritone if I wanted pancakes, and I jumped about 5 feet in the air. So…I guess I was subconsciously a little more freaked out than I thought. And then, when I went to bed hours after I’d finished the book, the images came creeping back and I suddenly felt very alone in the dark, wondering what might be lurking under my bed or outside my window…

Great read, and a quick one, too. You might tear through it really quickly, but I guarantee this is one that will stick with you. And that little coda at the end…so effing perfect. Love love LOVE. Highly recommended. And it definitely passed the test—I will certainly be buying a copy for my personal library.

Sunday, January 25, 2015

Happy January!

Hello all, and happy 2015! It has been much too long, dear bookworms and moths! Susan and I have both been immersed in the responsibilities of new jobs for the past few months, thus our diminished online presence since autumn—but we have missed you fiercely, and are looking forward to getting back on the blog train in this year two thousand and fifteen. We hope it has been treating you well so far (the new year, not the blog train), and that you have been snacking on delicious foods and reading wonderful books during our absence! If you follow us on Twitter, you may have caught a glimpse of some of our readings and eatings over the past few months. Graphic novels, SFF, Thai shrimp soup…yums across the board! So, in the spirit of the “Best Of” lists that have come before, I thought I would share a short listing of some of my own 2014 bests. If the books I read last year all went to high school together, this is what the superlative pages in their yearbook would look like…

Alyssa’s Notable Books of 2014

Best New-to-Me Authors

Oh, Elizabeth C. Bunce and Scott Lynch, what was my life before I read your books? Where, oh where have you BEEN my entire life?! Well, sitting patiently on my shelf, apparently. I remember purchasing A Curse Dark As Gold when it first came out in 2009, but didn’t get around to reading it until 2014. And what a treat it was! Brilliant writing, brilliant detail, brilliant insight into people, and perfectly atmospheric. In fact, those words could be used to describe my experience with Scott Lynch’s Gentleman Bastard series, as well. The adoration I bear for Jean Tannen and Locke Lamora is an ardent one, and I’m eagerly anticipating the next book in the series. On that note, it hurts my heart a little bit (okay, a lot a bit) that Arthur A. Levine Books doesn’t appear to be publishing the third volume in Elizabeth Bunce’s Thief Errant series. WHY?!? Anyway, I love books with worlds so rich you could just crawl inside them and live there, and the writings of these two authors both fit that bill perfectly.

Best Picture Book

I find myself reading a whole lot of picture books to children these days, and this by far has been the biggest hit (though It’s a Tiger! and Press Here are also contenders). Teachers have told me a month later that the kids are still playing Shark in the Park on the playground at recess. Four months later they’ll come up to me and ask if I brought the shark book today. And what does that tell me? That tells me it’s an awesome, awesome book. So why is it out of print? I don’t know, but I really want to buy a copy for myself on eBay…

Best Graphic Novel (Serial)

This fantasy-tinged sci-fi space opera is really kind of stunning. It is fearlessly imaginative, and creative, and hilarious, and action-packed, and yet still so very real. Our wry narrator guides us through the story, and an extensive cast of weird and wonderful characters inhabiting a weird and wonderful universe grab on to you and don’t let go. Again, this is one of those rich fictional worlds so fully realized that you just want to crawl inside. I just read volume four of the trade paperbacks, and can’t wait for the next installment.

Best Graphic Novel (Standalone)

I’ve talked about this one many times before, and my love for it has only grown stronger with time. Its beautiful art, clever, funny writing, and demonstrated deep understanding of stories and their power make this one irresistible to me. A little odd in the way that all the best things are, and all kinds of awesome.

Best Series I Devoured Whole at a Most Unladylike Speed

I had never read anything by Seanan McGuire before (or anything published under her horror-writing pseudonym, Mira Grant), but she was on my radar as an author that authors I love, love. (Did that make sense…?) I picked up the first October Daye book, and it was all over. These books speak to and nourish the same part of me that Holly Black’s Modern Faerie Tales series does (favorites of mine since high school)—stories of a world both close to, and eons away from, our own. Atmospheric, beautiful, but a little dark, too. Watch out for those teeth. So of course I read the entire series in less than three weeks. More, please!

Book Most Likely to Affect My Enjoyment of a TV Series

Mr Selfridge on PBS is one of my favorite TV shows (sometimes I think I like it more than the recent seasons of Downton Abbey!), so I thought it would be fun to read the book that inspired the show. I’m not a big reader of nonfiction, but this book was quite fascinating. It allows you to see where the show had to fill in information, and where they found some of their inspiration, and it sheds light on a time and a topic (the advent of advertising and merchandising) that I hadn’t thought much about before. And yet, this was kind of the spoiler of all spoilers—knowing what happens to beloved characters and the way things ended up in real life was often quite sad, and now it’s sometimes hard to watch the show and separate it from what I know of the real life people and events it’s based on. I usually get over it pretty quickly, though—the show’s ability to dive into each character in a way not really possible in a book that can’t fabricate where there is nothing in the historical record reminds me that this lovely series is fiction, and a pleasant one at that.

Other Great Books I Read That Haven’t Got a Category Yet

After hearing about the brilliance of The Name of the Wind for so long, I finally took the advice of many friends and read it. I enjoyed it, too, and hurried on to the second installment. Now, don’t get me wrong, they were fabulous books that I recommend to people all the time. But for me…they didn’t have the certain je ne sais quoi that made them into oh-my-gosh-holy-crap-all-time-favorites. However. As they’ve sat in my mind in the months since reading them, I find that they continue to grow in my estimation and to become more powerful. Reading the Bast short story in the Rogues anthology really slammed that home for me. These books are magical, powerful—with complex characters and a rich world (yes, one you can crawl into) that you find yourself personally involved in. And to segue…my first Terry Pratchett experience also introduced me to complex characters I cared deeply about and a world, maybe not so complex on the surface, but certainly complex underneath. Both authors are grandmasters, and both ones whose words and worlds I feel quite privileged to be acquainted with.

So what were some of your top reads of 2014? What superlatives would there be in YOUR 2014 books’ yearbook? What would you like to see from Read This / Eat That this year? Hit the comments and let us know!

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