Showing posts with label ya-fantasy. Show all posts
Showing posts with label ya-fantasy. Show all posts

Wednesday, April 23, 2014

Quick Bites: Stitchery, Double Takes, and the Twilight of Imperial Russia (Again)

I’ve peremptorily decided to create a new feature for RTET, called Quick Bites. The idea is to write short reviews of books read in the recent past (but perhaps not too recently, thus enabling the requisite shortness), and gather them up into a single post. Minute reviews, if you will. Called quick bites, because they’re quick…and bite-sized…and about books on a blog that also occasionally covers food-related topics… (Yes, yes, I’m terribly clever, I know.) This new feature will appear on the blog…well, whenever I feel like creating such a post. It’ll be crazy! Fun! You’ll never know when one’s coming!!! (…have I convinced you that sporadic is cool?)

The Gentle Art of Stitching, by Jane Brocket
Published by Collins & Brown in 2012
Read: March 2014
From: Library
4 Sashiko Needles

Yay for another crafty book! As you can guess from reading the title, this one is about stitching—all different kinds, in fact. That’s what makes it such a fun book—it goes beyond the basics to cover projects involving Japanese sashiko, Indian kantha-style quilts, interesting ways to use buttons, modern needlepoint cushions… The book is full of ideas, and provides practical information and instructions to complete the projects included, while also equipping the reader to take inspiration from them and create projects of their own devising. I had originally picked it up to see what sorts of cross stitch projects it contained, and while they were cute, I was looking for a bit more complex of a project to take on. My absolute favorite project in the book is one where kitschy embroidered linens from the ‘40s (easily found at antique shops and online) are repurposed into a collage quilt with a very vintage, very fun design aesthetic. The one the author made is the coolest thing, and I can’t remember the last time I was so inspired by a project idea—I was showing it off to everyone I know, and got really excited about making one myself someday. There were admittedly a few projects that were a little TOO kitschy for my taste (anything involving felt, pretty much), but most of the projects were things I’d like to try someday. Very cool book—I will be purchasing a copy, and checking out the author’s other craft books.



The Burning Sky, by Sherry Thomas
Published by Balzer + Bray in September 2013
Read: April 2014
From: Paper ARC Susan sent me
3.5 Canaries

You may remember when Susan read and reviewed this one last fall, giving the verdict of “very enjoyable.” Now I’ve finally gotten around to reading it, and while I did enjoy it, I think I perhaps enjoyed it with more reservations than she did. Quick plot rundown for those who didn’t click the link: Iolanthe Seabourne is the greatest elemental mage of her generation, being hunted by the Big Bad Guy the Bane and his agents of Atlantis. Titus is the prince of the Domain they live in, but is actually just a puppet of Atlantis, and he wants to find Iolanthe because a prophecy says she’ll help him defeat the Bane. They meet up, he hides her by making her pose as Archer Fairfax, a fellow student at Eton, and they begin training to defeat the Bane and hide from the agents that are trying to capture her.

The book was slow to start, but I kept at it, and overall it was a fun fantasy with historical elements. My main issues with the book, however, involve the world building. It was shaky, holey, and not explained well enough to create a solid base for the story to unfold upon. For example, Iolanthe and Titus are from the Domain. Okay, sounds good. Like maybe some random fantasy place not in our world. But then Titus travels to England to go to Eton. This does not involve spaceships, so maybe the Domain is on Earth, or somewhere close enough for him to reach it by magic? But what about Atlantis? They’re running the show in the Domain and have agents everywhere, and there are mentions of other mage and non-mage realms existing. But do they exist in our world? On parallel Earths? Are they hidden in plain sight in our world, like in another dimension? When I ranted at Susan about this, the best explanation we came up with was perpendicular universes. …when I have a tenuous grasp of something as basic to a book as its setting, that’s a problem for me. I also found Titus too-tragic-to-tolerate for much of the book, but he did get better as it went on. The best scenes were when they were at Eton, and I wish there had been more of that. But even with my complaints, as the book reached its climax involving intrepid travel and danger via the virtual reality-like fairytale training books, I was very invested and flipping pages like nobody’s business. And once Titus stopped being a putz, the romance became cute, too. I’ll probably read the sequel, but it’s not one I’ll feel compelled to grab right when it’s published.



Tsarina, by J. Nelle Patrick
Published by Razorbill in February 2014
Read: March 2014
From: Library
3.5 Fabergé Eggs

Despite crap luck in the past with books involving the downfall of imperial Russia, this one came highly recommended by Maggie Stiefvater, so I thought I’d give it a go. I really, really want there to be a novel on this subject that’s as awesome as Anastasia, and I will keep looking until I find it, dammit! This one was better than the last, but still not quite as much as I’d been hoping for. Natalya, daughter of an aristocrat military officer, is in love with Alexei Romanov. During a ball, Alexei lets his love in on a secret—before Rasputin died, he channeled all of his power into the Constellation FabergĂ© egg, and it will keep Russia and the Romanovs safe. Soon, however, the Reds rise up in St. Petersburg, raiding the palace and capturing the imperial family. Natalya, along with fellow aristocrat and friend Emilia, will have to team up with a mysterious young man named Leo to track down the egg and save Russia and the Romanovs.

I liked that both Natalya and Leo have convictions about their respective White and Red politics, and that over time they come to see that it’s not quite that simple. They gain an understanding of the other’s point of view as the story progresses, which felt realistic, and provided obstacles to their relationship and a meaningful way for it to develop. While we’re on the subject of relationships, we actually only see Alexei and Natalya together in the first chapter, which is really more of a prologue, since it happens months before the action of the rest of the story. Because we have only that and Natalya’s recollections of him to go on, it was hard for me to be invested in their love. Still, even though I didn’t see their relationship unfold, even though I know that Russian society had some big-time problems that needed to be fixed, even though I KNOW what happens, I found myself hoping that the story would somehow take an alternate history tack and there’d be a way for them to be together and have Russia’s problems solved magically and for everyone to be happy. And when the inevitable comes to pass, it was more affecting than I had expected it to be due to foreknowledge of history and a lack of attachment to their relationship.

One of the weaker aspects of the book was the plot line with the mystics—it was a bit muddled, and I just didn’t find it compelling. As historical fantasy, some liberties are taken with the actual history of the Russian revolution and related topics (aging up Alexei, for one). This isn’t the kind of thing that bothers me, but if it would irritate you, it’s something to consider. Overall, while the novel may not rank among my favorites, it was entertaining and highly readable, though I wish it had made me feel more. I may pick up the sequel, but it’s probably not a must-read for me.

Have you already read any of these or plan on checking them out?

Sunday, March 30, 2014

Blogoversary Fun: 2014 Favorites

In the vein of continuing blogoversary fun, we thought we’d celebrate our blog birthday with a few of our favorite things—favorite reads for the year so far, that is! We’ve been working hard trying to keep up to pace in the Girls in Capes 2014 Reading Challenge, and happily we’ve come across quite a few keepers along the way. Since we’re only drawing near to the quarter mark of the year, we thought five would be a good number to share with you. So without further ado, here are each of our top reads for the first three months of 2014!

A’s Top 5 Books of 2014 (So Far)



1. A Curse Dark As Gold, by Elizabeth C. Bunce

You may recognize this book as my Morris Award winner from reading bingo, and WOW, am I glad I picked this one. It was damn near perfection.

The book takes place in a setting much like that of England on the cusp of the industrial revolution, in a small town centered around a wool mill. Charlotte Miller has to take charge of the mill with her sister after their father’s death, and though she refuses to believe that it’s cursed, as people claim, bad luck is visited upon them again and again. Just when it appears that everything is going to fall apart, a man called Jack Spinner shows up, and offers to spin straw into gold thread for a small price. Starting to sound familiar yet? Every time bad luck threatens to shut the mill down, Jack Spinner reappears to save it, always with a different, strange price. But as the bad luck and bargaining continue, Charlotte will have to get to the bottom of the curse if she hopes to save the mill and the town along with it.

I just. It was SO good. The writing is exceptional, with fun period-appropriate spellings here and there. All the characters are fully realized, complicated people. The mystery surrounding the curse is genuinely mysterious, and kept me guessing at what was really going on with each new clue that surfaced. The atmosphere was pitch perfect, with the spookiness and suspense executed flawlessly. In fact, it ended up being a lot creepier than I would’ve expected from reading the blurb, and it really worked. I was completely engaged and engrossed—as Charlotte was making decisions and trying to save the mill, I found myself wondering at the strangeness of events along with her, or covering my eyes and howling nonoNO don’t do it!!!, or having some other completely crazy reaction. The only thing I was initially unsure about was the protagonist marrying the love interest not even halfway through the book, but I should never have worried—the romance lost none of its interest (in fact, I’d say it GAINED interest) and it had a huge emotional payoff. Not an approach to romance you see everyday, and it was pretty brilliant. SO GOOD.

Seriously, you should read this book.

2. The Tiffany Aching Quartet, by Terry Pratchett

Okay, I guess this is kind of cheating because it’s a series. But I couldn’t pick just one of the two I’ve read!!! These books take place within Terry Pratchett’s Discworld, but you don’t have to have read all, or any, of the Discworld books to understand these ones. They were actually my first trip into the world of Terry Pratchett, and I absolutely loved them.

Tiffany Aching is a young girl living in the Chalk, a region of fields and sheep, who finds out that she is a witch. In the first book, The Wee Free Men, Tiffany has to go to Fairyland to save her kidnapped baby brother, and in the second, she leaves the Chalk to study with another witch. Always with her, however, are the Nac Mac Feegle (also known as Wee Free Men), tiny Scottish-ish Pictsies who love drinking and fighting, and who never fail to show up and help the wee hag face whatever challenges come. I mean, they’re called Pictsies! That’s hilarious!!!

Terry Pratchett is a funny man, and his wit is on display in full force in these books. Reading them makes me laugh, but it also makes me feel like I’ve learned something about life and the universe. The books have an impressive depth and resonance that commingle with the humor, creating something that feels both meaningful and entertaining. These books are fantasy, but like all good fantasies, they are completely real in all the important things. They may be labeled as YA, but they’re ones that everyone should read. I can’t wait to read the second half of the quartet!

3. Arcadia, by Tom Stoppard

I effing love this play. I've seen a couple amateur productions of it before, but I’d never actually sat down and read it until this month. It's wonderful to watch and I can’t recommend that experience enough, but it’s also amazing how full the play is, how there was so much more I picked up on in the reading that flew right by me in the watching. Though I spent quite a while lingering over it, I suspect there is yet more that has gone over my head, and I hope to grasp it in future readings and viewings.

The play has two parallel storylines, one unfolding at an English country estate in the nineteenth century, and the other taking place at the same estate in the 1990s, with scenes switching back and forth between the two. The modern day story involves academics who are investigating or tangentially related to a mystery involving Lord Byron’s possible presence at the estate in, you guessed it, the timeline of the earlier storyline. While the academics debate the truth of what really happened all those years ago, we learn more about it through the nineteenth century storyline involving a young girl who is brilliant at mathematics, her tutor, and the rest of her family and the guests they host at the estate. The contrast between the conclusions the modern people draw about the earlier days and what we see actually happening in that time is completely absorbing, and two storylines’ convergence as the end of the play draws near is powerful.

It’s just…it’s perfection, and I don’t have any words to properly convey its brilliance. It’s full of scintillating wit and intelligence, and it perfectly captures the exhilaration of literary/academia nerding. It covers ideas of truth (both its objectivity and subjectivity), the effects of passing time, science, math, poetry, the nature of existence and the universe, lust, love… It’s laugh-out-loud funny, and joyful, and witty, and quirky (there are pet tortoises!), and very moving, and sad. I don’t know how all that can be contained in 97 pages, but Stoppard achieves it masterfully. Please read it. Please watch it. Experience it for yourself, since nothing I say here can do it justice.

4. The Encyclopedia of Early Earth, by Isabel Greenberg

I’ve already talked about this one recently here, so I’ll try not to repeat myself too much. I went into reading this graphic novel not really knowing what to expect, and ended up thoroughly enjoying it. It was easy to get caught up in the stories within stories narrative style, and the mix of old myths in new clothes and unfamiliar ones is addictive. Since it’s a story about storytelling, there are some funny meta moments, and the humor is a nice contrast to some of the intensity that myths can have—y’know, vengeful gods, murders, those kinda things. You can tell that the author just gets it, with regards to the nature of myth and legend. I hope there are more graphic novels about Early Earth to come in the future!





5. The Civil War in Color, by John C. Guntzelman

I’ve had my eye on this one since I first saw it on a Barnes and Noble Civil War 150th anniversary themed display table sometime last year. I recently checked it out from the library, and liked it enough that when I heard through the grapevine that it had made its way to the bargain books section of many B&Ns, I bought a copy for the low price of thirteen dollars. And well worth it, I say! The basic idea behind the book is to take images from the Civil War, the first conflict in US History that was widely photographed, and after much research about the appearances of the people involved, the popular clothing colors of the day, etc., colorize the photos in hopes of giving readers a new perspective on the war.

It is completely successful in that aim. I love black and white photography, but when I look at photos taken long ago, there is something undeniably historical about them. On the one hand I feel connected with the past by seeing actual images of the way things looked back then, but on the other it still feels distant in many ways. It was astonishing to me how the addition of color to the photos contained in this book makes them feel so much closer. It makes them seem more real, more alive, and more relatable. So many more details become noticeable in color (there are the original B&W versions included for some of the photos, for comparison purposes), and I found myself poring over every inch of each photograph, wondering about the lives of the people immortalized in them. (The similarities between the appearance of men from this era and modern hipsters are also surprising. Photoshop in a smartphone and some sort of organic craft beverage, and you could be at Coachella.) Lots of text to help elucidate what you’re looking at makes this an educational, eye-opening coffee table book. Check it out if you can.

*Honorable Mention* The Name of the Wind, by Patrick Rothfuss

I finally got around to reading this much-loved epic fantasy novel, and really enjoyed it. Though I worried that the main character, Kvothe, was wandering into Mary Sue territory at times, he is a fascinating, resourceful dude and it is thoroughly awesome to live vicariously through his experiences. There were a few tricksy twists by the author that pleased me greatly, and a cast of well-developed characters that I can’t wait to visit again when I get my hands on book two. I liked the book’s unique take on magic and solid world-building. The way the story is structured, with an adult, fallen-from-grace Kvothe telling the story of his life up to that point, inevitably creates a sense of foreshadowing where you’re kept wondering how things went so wrong for a guy who from childhood seems to be heading in the direction of becoming an epic hero.

Overall I rated the book a 4 out of 5, since I try to be stingy with fives and reserve them for ones with that certain indescribable, jaw-dropping, knock-me-on-my-ass quality. For me it hovered between the two for most of its over-700 pages, but there were definitely a lot of full-on 5 moments, like when Kvothe plays for his pipes at the Eolian. That was probably my favorite scene in the entire book—the way the words make you hear music is pure magic. (If you haven’t read the book that probably sounds like gibberish, but when you read it will make sense. Promise!)



S’s Top 5 Books of 2014 (So Far)



1. Where’d You Go, Bernadette, by Maria Semple

Bea, a young teenager, is trying to piece together what happened before her mother, Bernadette, disappeared on the eve of a family trip to Antarctica. With notes between members of the PTA at Bea’s school, memos between Bernadette and her remote personal assistant, magazine clippings about her Bernadette’s illustrious career as an architect before Bea’s birth, Bea tells a gripping and often hilarious account of her mother’s eccentricity and the absurdity of the school parent community.

I knew I loved Bernadette as I was reading it in January, but I couldn’t put my feelings into words before I read another book in March that seemed to be approaching similar themes in a far less appealing way.

Basically the success of this rests in the decision of the author, Maria Semple, to structure the book as a project Bea is doing to find her mother, both in the “getting to know who she really is” sense, and in the action later in the story. First, Bea is a charming narrator. She’s a cusp-of-high-school girl who is mature and sheltered, allowing her to make observations on the people who surround her with well-considered judgments but some level of innocent miscalculation. In a story that uses petty PTA mom gossip, Bea’s voice serves as a palate cleanser and as reality check.

Next, the double sense of finding Bernadette is doubly interesting. Exploring the paper trail of what seems to be a crazy Bernadette is a solid enough basis for a funny satire about stay-at-home mothers. Having Bea propose to travel to Antarctica to try to find a missing mother follows the absurdity of the earlier part of the novel, but adds an extremely somber element of a girl struggling to find peace with grief. And once the grief is there, it’s easy to see the darker side to Bernadette’s problems in the first half of the book, even as it’s impossible to keep from laughing at some of them.

I don’t want to limit my praise to these elements. Bernadette herself is a great character, the writing style is so controlled and yet seemingly effortless, the send-up of tech culture in Seattle is funny too.

2. The Beginning of Everything, by Robyn Schneider

Witty teen boy narrators idolizing troubled girls who wear cool clothes and plan cooler pranks seem to be a mainstay in young adult literature these days (at least on this week’s NY Times YA Best Sellers List, where 3-4 titles essentially fit that description), and this February I got angry at Looking for Alaska for being an inferior version of Paper Towns, and I started to wonder if I had just exhausted my ability to like witty teen boys yearning for manic pixie dream girls. Turn the calendar to March, when I read The Beginning of Everything, and found within the first chapter that I could possibly forgive the book for anything it did in the remaining 90% of the plot (decapitation on roller coasters is an amazing way to start a book).

But the rest of the book was just as good as the beginning! Ezra Faulkner, finishing his junior year of high school as captain of the varsity tennis team and soon-to-be-elected president of the senior class, discovers his girlfriend cheating on him at a party, and gets into a car accident bad enough to ruin his tennis ambitions. When he withdraws from his popular and athletic friends, an old childhood friend brings him into the world of debate club, where transfer student Cassidy catches Ezra’s eye. Everything about this book worked for me. The depiction of social circles in high school seemed spot-on, and Ezra’s voice is funny, mostly mature, but still youthfully insecure.

3. The Art of Fielding, by Chad Harbach

A brilliant shortstop, Henry Skrimshander, is on track to realizing his dream of playing professional baseball when he enters a debilitating slump in his junior year. At the same time his mentor and best friend, Mike Schwartz, has also seen his dream of living up to expectations of entering a top-tier law school shatter. Though Henry cannot escape his panic on the field, Mike starts to date the college president’s daughter, Pella Affenlight, who is recovering from a too-early marriage and debilitating depression. The book could be a grim portrait of lost confidence and dreams deferred in the early twenties of life, but Henry’s roommate, Owen Dunne, has fallen in love with the late middle-aged college president, whose path to accepting his love for Owen suggests that dreams and identity can fail or change at any point of life.

If you haven’t guessed already, this is a book to shelve with The Emperor’s Children (Claire Messud) and The Marriage Plot (Jeffrey Eugenides), which also deal with interia-laden, depressed young people trying to find a place in the world. I really disliked both of those books, but for some reason I really enjoyed The Art of Fielding. I can’t say I liked any of the main characters all of the time, but I felt for them, and genuinely hoped they could solve their problems and regain their happiness. Chad Harbach uses Henry’s book of meditations on how to be a shortstop as a focus, and also weaves in Herman Melville and Moby Dick as models for the characters.

In all, an incredibly solid book, and a compulsive read.

4. A Venetian Affair, by Andrea Di Robilant

This is one of the juiciest nonfiction books you can imagine, with a premise so incredible that reviewers on Goodreads have labeled it fiction. The author’s father found in his Venetian palazzo a trunk of 18th century love letters, detailing the passionate relationship between Andrea Memmo, a young nobleman, and Giustiniana Wynne, a younger and less noble woman. The book is di Robilant’s effort to tie together the letters that so fascinated his family, with a story that I know see could be described as How I Met Your Ancestor in mid-1700s Venice.

Andrea is a twenty-something romantic who, despite his love of art and sentimentality, is quite an experienced man. Giustiniana is a young, somewhat foreign, girl, who has ambitions beyond marriage. The two of them spend a decade trying to figure out their mixed-up relationship, which involves proposals, engagements to others, separation, secret meetings, and a correspondence that works because Giustiniana addresses Andrea as her “dear brother.” Several of the chapters read very much like the 18th Century Venetian version of How I Met Your Mother plots. Seriously, Casanova turns out to be Giustiniana’s best friend in Paris, and his “cure” for unwanted pregnancy is so ludicrous to our modern ears that not even Barney Stinson would dare to use it as a play. And for those of you who have seen the finale of How I Met Your Mother, the last chapter of this story reads almost the same. Instead of the leisurely pace of the rest of the book, there are summaries of the directions everyone’s lives turned, and the limited personal interaction they had with people who were so important to their raucous social lives in their youth.

5. The Last Dragonslayer, by Jasper Fforde

Jasper Fforde, famous for his Thursday Next series of book-hopping action and word play, started a young adult series a few years ago that I never quite got around to reading. FOOLISH ME. This book was an absolute delight. It’s as zany as you’d expect from a Fforde book, and at a shorter length, more tightly focused than any other Fforde book. Plus the characters are all fun, and the pet Quarkbeast has surpassed Thursday’s pet dodo, Pickwick, as the coolest pet ever.

Jennifer Strange, indentured orphan at Kazam Mystical Arts Management, has her hands full just trying to run company of eccentric magicians without raising suspicions that the owner has disappeared, but premonitions of the death of the last dragon in the land bring her life into chaos as she tries to protect the interests of the dragon, avoid committing treason against King Snood, and prevent a war over the Dragonlands. Oh, and it seems that the death of the dragon could result in a mystical arts management industry change due to wild flux of magic available.

Thursday, January 23, 2014

Already Missing 2013: Susan's Top 10

At Alyssa’s urging, I am spending some time today to order my list of favorite books from the reading I did last year. Back at the beginning of December, Alyssa and I were both playing around with our favorite books lists, and I had a slight advantage going in because I had been assiduously keeping track of my least favorite books of the year (and out of a sense of guilt for the immeasurable fun of rating my ARGH reads, I had started a list of favorite books as well). But it turned out that my guilt was disproportionate! I had 11 books on my Worst-Reads list (and one of them was a little exaggerated to make it there), and a full 18 on my Best-Reads list. Eighteen!! To choose only ten seemed unfair to the other eight that had been scrawled on my scrap of paper. As I looked at the paper, I realized I hadn’t even remembered to put some other well-enjoyed books I’d read this year on it. It really was a better year for my reading than the existence of a “Worst Books of 2013 Reading” list suggests.

Yet, Alyssa and a seeming majority of the book blogosphere seem to have been able to accomplish this feat of winnowing books down to a top-ten list, so it is obviously not impossible. And with that spirit, I shall set about making my list. Because I am having particular trouble deciding on the top-top spots, I am going to deviate from Alyssa’s formatting and do my list count-down style.

S’s Best Books of 2013




10. Ready Player One, by Ernest Cline

Kicking it off at #10 is Alyssa’s recommended Ready Player One. I, having some distrust of fiction audiobooks, picked up a paperback in February after hearing something that sounded like The Westing Game. So, recommended by Alyssa and bearing at least casual similarity to a beloved work of children’s literature? It was an easy choice to read, but had a lot to live up to based on that. AND IT DID!! I loved it! I like only a handful of things about 80s pop culture, and because I truly despise 80s fashion, I don’t even bother to watch classic Brat Pack movies. Yet the book completely worked for me, and based on the number of times it stops to explain every 80s reference it makes, it should work for anyone.

This is one of those books that is so secure in what it’s doing that it takes a little time afterwards to figure out why it worked so well. The narrative voice of Wade, a teen competing in a virtual reality scavenger hunt of 80s pop culture, is completely compelling, combining authority about his videogame skills and insecurity about his personal relationships. To an extent the book is dystopian, but in a much more realistic way than the popular depictions of overreaching government programs. Here, poverty in the United States has caused an increase in crime, spurring many to retreat to a cyber-reality so they don’t need to go outside, and discouraging them from believing that political elections provide any means of breaking the cycle of poverty and crime. So solid main character, solid setting . . . AND the scavenger hunt, mental puzzle cleverness promised by Westing Game comparison.

And this is only the beginning of my year’s top-ten.

9. Paper Towns, by John Green

Paper Towns is similar to Ready Player One in that it is also narrated by a smart teenage boy. But while Wade was focused on solving the steps of a game (albeit a game with immense monetary value), Paper Towns’ Quentin is navigating the much more complicated world of teenage identity, and trying to solve the mystery of his dream girl neighbor, who has taken him on a crazy night’s adventure before running away from home in the last weeks before high school graduation.

The book is a suspenseful page-turner, but John Green does a clever job layering the book by interpreting Whitman poetry and having characters respond to key symbols differently. What makes it truly deserving of a spot here is that our book club conversation had a LOT to talk about after finishing the book.




8. Sir Gawain and the Green Knight, translated by Simon Armitage

I read “Sir Gawain and the Green Knight” in my Survey of Early English Literature, and I liked it well enough at the time. But after reading Alyssa’s review of the audiobook of Simon Armitage’s translation, I decided to visit it again. I am so glad I did!

If you missed it last spring, now is actually the BEST time to pick up a copy because the small epic poem takes place in winter. The cold landscape evoked in Gawain’s travels, contrasted with the warmth of sitting in a castle resting during the holidays, feels particularly close to me after a day spent shoveling and then nestled with a book. Thematically the poem is also close to us right now because it is about realizing your shortcomings and strengths, and resolving to be a better person as the new year begins.

And, as Alyssa has said, the language (particularly when listened to on the audiobook) is beautiful.


7. Code Name Verity, by Elizabeth Wein

Another wonderful read that our book club had this year. Code Name Verity does so many things exceptionally well that I could spend a lot of space repeating what Alyssa and I already said about it in October. I think what I love the most about it in retrospect is how much Elizabeth Wein successfully manipulates my sense of hope throughout the story. There are some stories that you assume will not end happily: Shakespeare warns us right away that Romeo and Juliet are going to kill themselves, Jodi Piccoult and Nicholas Sparks have built publishing empires on tissue boxes emptied on their books. There are some stories that you know will end happily: genre romances, anything by P.G. Wodehouse. And then there is Code Name Verity, which opens in medias res with the announcement that one main character is dead and the other is being held prisoner. But did you SEE THE DEATH HAPPEN? it tempts you to ask. Where is the rescue mission? It’s very disorienting not to know whether the plotline is heading towards a happy or tragic resolution, and it takes a ton of skill for Wein to make parts of the book very funny even while the tension is high.

6. The Summer Prince, by Alaya Dawn Johnson

I read The Summer Prince back in April, and my first impression was that the concept was brilliant and the writing artful. In the months since then, my admiration for this book has not waned, and instead has become stronger. I think it’s so well done that it vied for my top spots on this list. The only thing holding me back is that when I went to write just why it was so worthy of the second place spot, most of what I was saying wasn’t about my emotional response. Nevertheless this is my pick for the 2014 Printz Award.








5. The Swerve, by Stephen Greenblatt

Ecce! Coming in at #5 is my only nonfiction work on the final list. It’s the fascinating story of the transmission of Lucretius’s De Rerum Natura from ancient days to the early modern age. I listened to this one in March while snowshoeing behind my old university buildings, so part of my reaction could be nostalgia for college learning and friends, but just thinking about the story of the book is enough to make me quiver a little now.

Lucretius is arguably the only genius of Latin literature, and his lengthy poem about the nature of things is one of the only remaining texts we have of Epicurean philosophy, which (among other things) proposes that living wisely for the absence of pain is the greatest end. Even though I know I should have read this poem (nay, translated it) by now, I never have because philosophy tends to confuse or bore me. Or when I wake up after a quick nap from being bored, I am confused about where I am in the text.

But Greenblatt’s premise is spine-tingling: he claims that the rediscovery of Lucretius’s writing is what sparked the humanism of the Renaissance, and that the event of the rediscovery was far from assured. Unlike the works of Homer, which existed in many Medieval libraries across Europe, De Rerum Natura was found in only one manuscript. Greenblatt tells the story of its Renaissance discoverer, as well as the story of the disappearance of Epicurean philosophy in the late Roman Empire, in such a way that I caught my breath a few times, and felt tears at others.

Read it. Listen to it. Tromp through some snowy woods on a sunny day, taste something delicious, and brush your finger along some dusty old books on your bookshelf as you contemplate what life means, and how your idea of that is related to the survival of one manuscript copied and recopied by monks for a thousand years.

4. Fangirl, by Rainbow Rowell

The way that Alyssa cried over Code Name Verity, I blubbered over Fangirl. It seems a little weird to write them both in the same sentence (and to compare the tears that flowed over each) because they are very different books. But I LOVE Cath as a character, and I adore Rainbow Rowell for validating the world of fanfiction even as Cath’s struggles are mostly to find that the world outside of her fandom is a good place to live. Whereas Eleanor & Park focuses on a romance in the 80s terminally complicated by Eleanor’s danger in her home, Fangirl is about the very modern world of Internet fandoms, and its romance is endangered by Cath’s anxieties. I think that Cath’s story may have the broader appeal, and that Rowell’s writing style fits Cath better, so I am hoping that everyone tries this one in the coming year. Particularly if you have trouble with transitions in life.




3. The Scorpio Races, by Maggie Stiefvater

Three entries on my general loved-it list this year are Maggie Stiefvater books. After not particularly loving the Shiver trilogy (maybe because I’m not a big fan of wolves in snow?), I wasn’t sure I wanted to read the new Raven Cycle. Then I read a few pages, which turned into the whole book, which then turned into quick consumption of The Scorpio Races, and a hunt for The Dream Thieves at the BEA. Suffice to say, I loved EACH of these Stiefvater books, but out of a sense of diversity I am only picking one of them for this list. The Scorpio Races takes far less plot explanation than the Raven Cycle, so it is my choice. Also, it is tightly written as a stand-alone novel. Puck and Sean are sensitive and brave. The Stiefvateran conflict between rich and poor is handled well. And the idea of racing by the sea on carnivorous giant horses is breathtaking.





2. A Tale for the Time Being, by Ruth Ozeki

If you follow us on Twitter you may remember my angst in reading this in bed back at the October/November cusp, summed up by a quote from the book: “their monstrous barbarity shines a new light on my own small suffering.” Based on my horrified tweeting you’d think that this Booker finalist was a book to be avoided, but I think my immeasurable pain for Nao, a young Japanese teenager, and her long-dead young uncle is an indication that Ruth Ozeki crafted a very strong book. My stomach turned, my palms got sweaty, and I read pages of philosophy with total interest. The ending surprised me and provoked more caps-lock on Twitter. Do yourself and me a favor by reading this and letting yourself get carried away by Nao’s confident and intimate diary of coming to peace with being uprooted to lower-middle class life in Japan from upper-middle class life in California. And then thank Ozeki for breaking up Nao’s story with the rest of the book’s focus on adults who give you some space to calm down before entering the sadistic world of secondary school, office culture, or barracks again.


1. The Song of Achilles, by Madeline Miller

As everyone is probably sick of hearing by now, I loved this book. It’s already appeared as my favorite book of the summer, and its depiction of the gods is still in my head. Unlike Homer's Thetis, whom I picture shrouded and hunched with grief, Miller's Thetis is a frightening force of nature and destruction. "Her mouth was a gash of red, like the torn-open stomach of a sacrifice, bloody and oracular. Behind it her teeth shone sharp and white as bone." "[Her] voice hissed like water poured coals." And then I keep thinking about the book, and I remember that a message of the book is that the force of the gods is not as terrifying as the emptiness of death and being forgotten. Ahhhhhh I love this book!

Monday, September 23, 2013

Genre-ally Speaking: The Burning Sky by Sherry Thomas

Title: The Burning Sky
Author: Sherry Thomas
Publisher: Balzer + Bray
Publication Date: September 17, 2013
Read: September 2013
Genre: YA Fantasy
Where It Came From: ARC from the BEA
Rating: 4 out of 5 Fairy Tale Training Stories

The Quick and Dirty:


Take one girl born to be the greatest elemental mage of her generation, add one crown prince determined to reclaim his governing powers, and mix them together in a magical Realm, 1883 Eton and a fantastic interactive fairy tale book. What you get is the charming beginning of a new trilogy.

The Wordy Version:


I was telling my mother about how interesting the fantasy author panel I attended at the Brooklyn Book Festival was, when she asked why I was even at the panel when I don’t read fantasy books. “But I DO read fantasy!” I protested, “Just not ADULT fantasy, for the most part.” The adult fantasy world seems so complex at times (and with such complex morality) that it’s difficult for me to start a book from those shelves. It doesn’t mean I don’t like having magical creatures and spells in my books, it just means I read six books at a time and have trouble juggling characters and terminology when they’re too intense. Enter YA fantasy, where magic comes with Right and Wrong and generally fewer plot threads; and enter, in particular, Sherry Thomas’s new Burning Sky.

Living in a magical Realm controlled by the Bane, a powerful and mysterious mage, Iolanthe has been in danger since her birth under a portentous meteor shower and her subsequent mastery of elemental magic. When, at sixteen, she summons lightning to fix an elixir, the secrecy measures her guardian has had in place are not enough to keep the Bane’s organization and the Realm’s nominative Crown Prince Titus from realizing that Iolanthe’s power can rival the Bane’s. Titus whisks Iolanthe to the nonmagical world of 1883 Eton, where she masquerades as a returning student and prepares to help Titus defeat the Bane and reclaim his rightful power over the Realm. The Bane’s Inquisitor suspects Titus is helping the mystery mage hide, and through spying, torture and might, she draws ever closer to finding Iolanthe, and destroying Titus’s chance for change.

It’s a relatively ordinary type of story—teenagers with exceptional abilities team up against a distasteful government, while discovering deeper feelings for each other—but with good main characters and enough details of its own to make the book charming. Character-wise, it’s all about Iolanthe and Titus. Titus is focused on his goal to the point that he is a jerk to Iolanthe without realizing how much his morals are in question. This rings true to me, as does Titus’s crush on Iolanthe, and the ways that his behavior changes to be more sensitive to her. Iolanthe keeps her motives for acting independent of the prince until she has gotten to know him as a friend and as a young man doomed to die young (more on this later). Her power (and Titus’s for that matter) is never so great that it overwhelms the world, but it is great enough that she can act meaningfully. It’s good that the main characters have so much going for them, because nobody else is developed enough for me to distinguish, though there are glimmers here and there that we may learn more about them in later books. Personally I’m hoping for more on Wintervale and his mother. (And a schoolmate who actually knows that a class on the Greek New Testament would NOT involve the long-gone locative case...)

As for fun fantasy details, the best is that Titus has inherited the Crucible, an enchanted book to help him learn magic, and he can go jumping through fairy tales in the Crucible as though he’s in a video game. I love the Crucible. Considering that Titus and Iolanthe come from a magical Realm and travel to high Victorian England, I was not expecting the stand-out setting of the The Burning Sky to be a not-quite-real world that shifts for each of its owners. But the Crucible is endlessly interesting. In addition to the training fairy tale modules (like defeating dragons to get to Sleeping Beauty), each reigning monarch of Titus’s line has created a classroom and an image of himself or herself to impart magical knowledge to the new user of the Crucible. As a way of explaining the history of the Realm and some of the limitations of the magic Iolanthe and Titus use, the Crucible’s classrooms are convenient, but when Iolanthe meets Titus’s image in his own tutorial, the Crucible becomes poignant. (As a slight spoiler, the Crucible’s training fairy tale grounds play a massive role in the plot in general. It’s only a slight spoiler because if you had created a fun magical type of video game, you would totally use it for the plot potential too.)

Also well done is Titus’s other inherited book, his late mother’s diary that magically shows him relevant prophetic visions she had before she died. I love prophecies in books, especially when someone has had a prophetic vision of death. There can be tension in characters doing dangerous things and risking their lives, but there is a beautiful urgency to characters moving towards their own envisioned deaths. Especially when the character is a teenage boy who hasn’t finished prep school or resolved his romantic longings yet.

On the subject of romance, this is one author who knows what she is doing. The pacing is not too fast book-page-wise (although within its world it is a little accelerated), and the details she uses to soften Titus’s character are excellent. I love that Titus’s favorite things to read in his leisure time are ladies’ advice columns on etiquette because they have solvable problems. And I love that he uses Iolanthe’s face for Sleeping Beauty’s so he can speak to her without real life rejection.

In all, The Burning Sky is a perfect example of why I don’t need to venture into the adult fantasy shelves. With a clear foe, a cute central romantic pairing, prophecies, a book world of fairy tale training, and the promise of two more volumes to finish the trilogy, my reading pile already has magic in it.

Tuesday, July 23, 2013

Genre-ally Speaking: Dark Triumph, by Robin LaFevers

Title: Dark Triumph (His Fair Assassin: Book II)
Author: Robin LaFevers
Publisher: Houghton Mifflin
Publication Year: 2013
Read: July 2013
Where It Came From: Library
Genre: YA-Historical Fantasy
Rating: 2.5 Daggers

The Quick and Dirty:

In a 1489 Brittany where Celtic-like gods are worshipped as saints, the Convent of Saint Mortain welcomes the daughters of Death, and sends them into the world on assassin/spying missions. In the first volume of the trilogy, initiate Sybella, seemed to be descending into madness from her mysterious mission. This volume picks up her story as she rescues one of the knights important to the Convent's work in preserving the independence of Brittany under its duchess, Anne. Sybella gradually learns to trust in love and to separate her tortured past from the promise of a brighter future. I fail to be emotionally invested in the plot. Probably because the character I wanted to read about was absent for 53% of the book. Or because there were three plots that couldn't all be fully developed in one book...

The Wordy Version:

“His Fair Assassin” is one of the oddest trilogies I can imagine: it sounds like a romance series, promises assassinations, yet is serious about its historical setting of the battles to keep Brittany independent of France at the close of the fifteenth century. The result is that I’m never quite sure whether to invest emotionally in the featured romance, the dark backstory of the main character, or the political intrigues in the setting. At least this is what I’ve come up with to explain why I haven’t completely enjoyed the series as a whole.

Because it doesn’t fully make sense that I don’t love these books. I imagine that Robin LaFevers composed a list of things that bother her in popular YA and made sure that she avoided them. Trilogies that drag out romances between couples that like each other from the middle of the first book? LaFevers has made a trilogy with different main characters so she can wrap her romances up before they need soapy disruptions! Teenage girl protagonists who need saving by paranormal boys? BAM! These girls are the ones with the powers, and they rescue boys! Love triangles between privileged and self-made suitors for the main character? Just one suitor!

But no matter how refreshing it is to see these deviations from the YA norm, the books don’t resonate with me, this failure being even stranger since I like the general premise. In case you missed the first volume, Grave Mercy, the trilogy tells the stories of three young women raised by the Convent of Saint Mortain to usher people to their true father, Death (i.e. be assassins).

Dark Triumph picks up the story with Sybella, who has been assigned to the household of the Breton Duchess’s traitorous noble suitor, D’Albret. Sybella’s latest mission is to free Anne’s loyal knight, the Beast of Waroch. Sybella’s mission goes awry, and as she and the Beast work together they fall in love with each other. The secrets that drove Sybella to the convent threaten to destroy Beast’s incipient love for her, and make her question her faith in Mortain.

Here’s the thing: this plot totally comes from a romance novel formula. Girl-too-damaged-for-love meets man who can break through her crusty personality and accept her for who she is. While they mutually kick some bad guys’ butts. Yet the romance is practically nonexistent. Since I am a nerd I made a spreadsheet of every page Beast appears in the book, and ranked the romance quotient of the page. It turns out that Beast is totally absent from the book 53% of the pages, and is merely present (but not furthering the romantic plot) another 28% of the pages. That means that all the romance of this romance plot is confined to 19% of the pages of the novel.

So what is the book ACTUALLY about, if not about the romance? It’s about Sybella separating her future from her seriously messed-up past, accepting love (in all forms), and killing people to keep Duchess Anne in charge of Brittany. For the first third of the book, Sybella’s convent-trained assassin skills are impressive and interesting. After that, they’re mostly used in battle settings instead of spy-work (not bad, but not quite as compelling as spying for me).

As for the historical setting, I’m obviously not the only confused reader. Things are so complicated that LaFevers has to provide a list of characters before the book begins (which would be much more helpful in the back, with page numbers to direct readers to the first description of the character). I could use a longer historical note reminding me about Anne’s suitors and wars. As it is, the story kind of jumps from Anne’s internal battles with D’Albret to welcoming the help of English troops for the fight against the French. But I think you’d be forgiven for being confused about this since it’s imbedded in the middle of Sybella’s own issues.

Which brings me to Sybella. Sybella was the coolest character in Grave Mercy —Ismae seemed like a fawn next to her, and Sybella seemed to be on the verge of going insane from her Serious Mission. Very interesting. By switching to Sybella’s point of view, the mysterious desperation around Sybella stops being so intriguing and starts getting tiresome. My notes on Sybella/Beast interactions are largely “S tells B a secret!” I realize now that it sounds like Gossip Girl, and if it does, it’s like what Gossip Girl would be if all the secrets were irrelevant to how the characters act. Beast is deeply in love within a few pages of interaction, and his position remains the same thereafter. Every secret that Sybella reveals makes her less mysterious and adds no tension to the S/B relationship.

So it turns out that my problem wasn’t that I wasn’t sure where to emotionally invest in the book; I was either too confused (historical wars) or too minimally involved (romantic lead absent for too long, Sybella’s dark backstory revealed to someone unconditionally in love with her) to be deeply invested.

Tuesday, April 30, 2013

Genre-ally Speaking: Falling Kingdoms by Morgan Rhodes

Title: Falling Kingdoms
Author: Morgan Rhodes
Publisher: Razorbill
Publication Year: 2012
Read: April, 2013
Genre: YA-fantasy
Magical Epic or Epic Fail: Epic Fail 1/2* (0.5 star)

The Quick and Dirty:

Unenjoyable enough to need Cicero's help in reviewing. Wants to be Game of Thrones, succeeds in sucking.

The Wordy Version:

When, publishers, do you mean to cease abusing our patience? Do you imagine that we have never met people who act with logic? Or do you willfully flood the market with paltry imitations of human behavior so that we shall no longer be able to recognize shadow from form?

This novel has a score of characters who, time and time again when given information, refuse to interpret what they have heard. It is impossible to believe that an impoverished kingdom, paying a 75% tax on wine exports, does not recognize that their tax rate is partially to blame for their poverty. The income tax in Sweden may be close to 60% today, but the Swedish government uses its income to provide its taxpayers with social services. The chief of Paelsia does not give his people anything but a vague hint that he can use magic (a claim none of the characters take seriously) to better their lives. Yet Jonas, the most intelligent of the teenage main characters, doesn’t begin to think of the possibility that his taxes are being mishandled until the end of the book. This is senseless; Jonas—in almost any other story—would be considered stupid.

Related Posts Plugin for WordPress, Blogger...